I’m an Assistant Professor in the Department of Communication at the Université de Montréal, specializing in media studies, media arts, and research-creation. I also regularly venture into other disciplines such as art history and STS. My primary interests are the politics and aesthetics of media as materials and infrastructures; the meeting points between culture and technology; and questions of the body and identity in technological contexts and interactions. I’m currently particularly engaged in projects centered on the protocols of identification, authentication, and recognition.
My next book project, tentatively called High-Tech Paper: A Media History of Security Aesthetics, is a historical and theoretical study of security printing and its artefacts (official papers like passports, banknotes, etc.). In a budding project I’m thinking about human-machine interaction in an age of machine listening. I’m interested technologies of speech and voice recognition that define and reproduce ideas about what it means to be a “good” speaker, and the consequences of being dysfluent and “out-of-sync.”
I’m also a co-investigator in Archive/Counter-Archive: Activating Canada’s Moving Image Heritage, a nation-wide partnership working to research and remediate audiovisual archives created by women, Indigenous Peoples, the LGBTQ2+ community, and immigrant communities. And, I’m leading the project Nano-Verses, an ongoing collaboration with artists and scientists that is at once a speculation on the possibilities of new nano-optical medium and a reflection on the nature of interdisciplinary work. (See projects for details.)
Other info:
- I am a co-director of the Artefact Lab and the Bricolab.
- I am a member of Hexagram, an editorial board member of the journal Intermédialités, and the Secretary of the Canadian Communication Association.
- My first book is Polish Media Art in an Expanded Field (Intellect/University of Chicago Press, 2016).
- I previously worked as the Managing Editor of PUBLIC: Art/Culture/Ideas in Toronto and with Continuum Publishing (now Bloomsbury) in New York.
