High-Tech Paper: Material Cultures of Security and Authentication
My next book project is a historical and theoretical study of security printing and document aesthetics. I examine how authoritative papers, such as banknotes and passports, provide an alternate history of printing, one that is focused on making the authentic reproducible and legible through strategies like material and technical quality, complexity, and expertise. Contrary to arguments that focus on paper as a cheap and flimsy commodity, the book argues that there is an intrinsic value to valuable papers which is produced through an array of overt and covert security features and devices that work to inscribe and encode authenticity (e.g. watermarks and specialized substrates, metallic threads, invisible or UV inks, holographs, RFID chips, nano-optical images, microprinting, etc.). To do so I draw on histories of the technical image, material innovation, media convergence, document aesthetics, and paper infrastructures. Operating from the field of media studies the book thus also engages in areas such as material culture, infrastructure studies, history of technology and design, print and book history, and art history, all to understand why we continue to trust printed paper in an age of accessible mechanical and digital reproducibility.
This project is funded by the Social Sciences and Humanities Research Council of Canada (SSHRC Insight Development Grant).
The Arts of Recognition
Thinking about the rhythms of healthy and atypical (out-of-sync) bodies in the context of human-machine interaction.
More info coming soon.
This project is funded by the Fonds de recherche du Québec– Société et Culture (FRQSC Research Support for New Academics).
Archive/Counter-Archive: Activating Canada’s Moving Image Heritage
Archive/Counter-Archive: Activating Canada’s Moving Image Heritage brings together over 25 co-investigators, a dozen collaborators, and a network of Partners from across Canada to research and remediate audiovisual archives created by women, Indigenous Peoples, the LGBTQ2+ community, and immigrant communities. Political, resistant, and community-based, A/CA creatively engages with archives through its dynamic network of Canadian archives, artist-run centers, community organizations, and Universities. Together, the goal is to create best practices and lay the foundation for innovative cultural policy.
This project is funded by the Social Sciences and Humanities Research Council of Canada (SSHRC Partnership Grant).
Nano-Verses: Nano-Optical Image-Making
This project is an ongoing art-science collaboration with the artists Christine Davis and Scott Lyall, and the Ciber Lab at Simon Fraser University. It works to develop “nano-media” using nano-optical materials to produce a new kind of substrate, along with its accompanying image-making techniques, and to explore the circulation of these nano-optical images across fields and applications. Our work has been presented in a variety of venues, including academic and industry conferences (such as Siggraph and ISEA), and in exhibitions at the Miguel Abreu Gallery in NYC and Susan Hobbs Gallery in Toronto, Paris and London in Fall 2017, and the Olga Koerper Gallery in Toronto (Winter 2018). Here is the accompanying website; an article in Leonardo is available here.
This project was in part funded by the Mitacs Elevate post-doctoral fellowship programme and a Canada Council for the Arts/GRAND NCE Media Artist and Scientist Collaboration grant.