Polish Media Art in an Expanded Field (Intellect/University of Chicago Press, February 2016)
Materials and Media of Infrastructure, co-edited with Rafico Ruiz. Special issue of Canadian Journal of Communication (forthcoming Winter 2021).
Biometrics: Mediating Bodies, co-edited with David Grondin. Special issue of PUBLIC: Art/Culture/Ideas. no. 60 (Spring 2020).
Technologies of Wonder, Special section in Media-N, Journal of the New Media Caucus, CAA Conference Edition, Summer 2015.
LAND/SLIDE: Possible Futures: A Public Art Intervention, co-edited with Janine Marchessault, Chloë Brushwood Rose, and Jennifer Foster (35 artist statements, interviews, archival reproductions and 6 critical essays) (Toronto: PUBLIC Books, 2015).
· Review in Hyperallergic
Public? Special 20th Anniversary Issue, co-edited with Janine Marchessault and Jason Rovito, PUBLIC: Art/Culture/Ideas. no. 37 (Fall 2008).
“Paper Infrastructures: Learning from The Bowater Papers, 1953–1958,“ with Rafico Ruiz. Submitted for review, May 2020.
“The Intrinsic Value of Valuable Paper: On the Infrastructural Work of Authentication Devices,” Theory, Culture & Society, First online publication, April 2020. [intro available on Academia.edu]
“Don’t Copy That: Security Printing and the Making of High-Tech Paper,” Convergence, The International Journal into New Media Technologies special issue on Rethinking the Distinction Between Old and New Media (2019), Vol. 25(4): 590–606. [intro available on Academia.edu]
“Storing Authenticity at the Surface and into the Depths: Securing Paper with Human- and Machine- Readable Devices,” Intermédialités/Intermediality, no: 32 (Fall 2018) issue on Cacher/Concealing.
“On the Concept of Recognition in Media Art: Emotional Reactions, Empathetic Interactions,” Proceedings from EVA Copenhagen 2018 (Politics of the Machine: Art and After), Electronic Workshops in Computing (eWiC), British Computing Society, September 2018.
“Nano-Optical Image-Making: Morphologies, Devices, Speculations,” Leonardo, no. 53(2) (April 2020): 167–173. Accepted (First Online) January 2018.
“Audible Walls, Breathing Vaults, and the Fantastic Sites of Re-Imagination,” Acoustic Space 15: OPEN FIELDS. Art and Science Research Practices in the Network Society, October 2016, pp. 200-210.
“Seeing Nano: Vision, Optics, and the Sight of Impossible Things,” Media-N, Journal of the New Media Caucus, Summer 2015.
“Designing Nano-Media Across Disciplines: Circular Genealogies and Collaborative Methodologies at the Optical Frontier,” Proceedings of the International Symposium on Electronic Arts (ISEA), Vancouver Summer 2015.
“The Heritage Village: Sifting through Immaterial Histories of Land,” with Janine Marchessault, Transformations Journal. no. 25: New Immaterialities (Fall 2014).
“Site-Specificity in the Post-Socialist City: Mediation and Memory in the Work of Polish Artists Rafal Jakubowicz and Aleksandra Polisiewicz,” Space and Culture. vol. 16, no. 4 (Nov 2013): pp. 416–434. doi: 10.1177/1206331212452350.
“Here, But Not Now: A Local Tour of a Global Future in The Afterlife of Buildings,” with Eva Woyzbun. Material Culture Review. vol. 71 (Spring 2010): 98–110.
“Locating the Ephemeral: Capturing the Fleeting Moment in Digital Arts,” International Journal of Arts and Technology: Special Issue on Digital Art. vol. 2, no. 1/2 (2009): 40–50.
Chapters in Books
“Real and Virtual Histories of Past and Future in the Heritage Village,” with Janine Marchessault, Land/Slide: Possible Futures: A Public Art Intervention (Toronto: PUBLIC Books, 2015), pp. 180–193.
“Media Theory at the Limits of Communication,” Review of Excommunication: Three Inquires into Media and Mediation by Alexander R. Galloway, Eugene Thacker and McKenzie Wark (MIT Press: 2013). Reviews in Cultural Theory, January 2015.
“Shared Time and Experiences of the Present in Antinomies of Art and Culture,” TOPIA: Canadian Journal of Cultural Studies. no. 22 (Fall 2009).
“Towards an Urban Aesthetics,” PUBLIC: Art/Culture/Ideas. no. 37 (Fall 2008): 176–180.
Introduction, with Rafico Ruiz, special issue of the Canadian Journal of Communication on Materials and Media of Infrastructure, co-edited with Rafico Ruiz (forthcoming Fall 2020).
Introduction, with David Grondin, special issue of PUBLIC: Art/Culture/Ideas on Biometrics: Mediating Bodies, co-edited with David Grondin, no. 60 (Spring 2020), pp. 7–13.
“Technologies of Wonder,” Introduction to CAA special section, Media-N, Journal of the New Media Caucus, Summer 2015.
“Mediating Poles: Media Art and Critical Experiments of the Polish Site, 2004–2009,” Top-Rated LABS Abstracts, Leonardo Abstract Service 2014; Leonardo Journal and Leonardo Electronic Almanac. Early Access July 30, 2015.
“Precarious Theories of Labour in the Cultural Sphere,” Kapsula. Acting Out 3.3 (December 2014): 36–37.
“Nanotechnology goes PUBLIC,” PUBLIC: Art/Culture/Ideas. no. 50 (Fall 2014): 3.
“A PUBLIC Retreat,” with Sarah Blacker. The Capilano Review. vol. 24, no. 3 (Fall 2014): 226–227.
“Interview with Aneta Szylak, Director of Wyspa Institute of Art,” Art Margins (June 2011).
“Collect My Junk: An Experiment in Urban Methodology,” with Angela Joosse and Shana Macdonald. PUBLIC: Art/Culture/Ideas. no. 37 (Fall 2008): 97–100.
Translation from the Polish of “Documentary Filmmakers Make Their Case” by Bohdan Kosiński, Krzysztof Kieślowski and Tomasz Zygadło (1971), with Monika Murawska. In Film Manifestos and Global Cinema Cultures: A Critical Anthology, ed. Scott MacKenzie (Berkeley: University of California Press, 2014), 464–468.